Ghanaian Afrofusion artist Bravaddo has strongly affirmed his belief in Highlife music, describing it as the biggest genre in an exclusive interview with award-winning entertainment/music blogger and YouTuber, Mr. KAK, on the KAKWAY show.
Bravaddo emphasized that while modern sounds like Afrobeats, Hiplife, and Afro-fusion continue to dominate the global music scene, they all originate from Highlife. According to him, the influence of Highlife is undeniable, as its rhythms, storytelling, and instrumentation have shaped African music as we know it today.
“Highlife is the biggest genre I believe in.”
Bravaddo didn’t just make a bold statement—he backed it up by explaining how Highlife serves as the backbone of many contemporary genres. He pointed out that Ghana’s rich musical heritage played a crucial role in the rise of Afrobeats, which has now become a global phenomenon.
“Afrobeats and other music genres are all derived from Highlife.”
This statement highlights how Highlife, with its polyrhythms, soulful guitar progressions, and deep storytelling, has influenced generations of musicians across Africa and beyond. Highlife pioneers like E.T. Mensah, Amakye Dede, Nana Ampadu, and Osibisa laid the foundation for today’s Afrobeats and Afro-fusion artists.
Bravaddo believes that despite the global success of Afrobeats, Highlife remains Ghana’s most important and authentic sound. He urges young artists to appreciate its significance, as it provides a strong musical identity that differentiates Ghanaian music from other African sounds.
Bravaddo’s statement has sparked curiosity among fans—will he incorporate more Highlife elements into his music? As an Afrofusion artist, he blends multiple styles, but his strong belief in Highlife suggests that he may explore the genre even further in future projects.
The conversation about Highlife’s legacy continues to grow, especially with contemporary artists like Akwaboah, Bisa Kdei, Fameye, and KiDi keeping the genre alive. Bravaddo’s remarks add to the call for Ghanaian musicians to embrace and evolve Highlife rather than allowing it to fade into the background.
Bravaddo’s statement reignites a crucial conversation—should Ghanaian artists focus more on Highlife instead of fully embracing Afrobeats? Many music lovers agree that Highlife deserves more global recognition, while others argue that genres like Afrobeats are simply an evolution of it.
Regardless, Bravaddo’s belief in Highlife showcases his deep respect for Ghanaian music history, and it will be interesting to see how he incorporates this into his own sound.
Do you agree with Bravaddo? Is Highlife still Ghana’s biggest genre, or has Afrobeats taken over? Share your thoughts in the comments!
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source: kaknews.com
